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Here is — definitively and officially — who won and lost the week in Hollywood, early April edition. The latest entry in The Hollywood Reporter’s super-consistent ongoing column … WON: Zendaya and Tom Holland: Oh, The Drama. Despite Zendaya’s film being bait-and-switch marketed as an upbeat wedding rom-com, being crit…
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Here is — definitively and officially — who won and lost the week in Hollywood, early April edition.
The latest entry in The Hollywood Reporter’s super-consistent ongoing column … WON: Zendaya and Tom Holland: Oh, The Drama.
أبرز المحطات
Despite Zendaya’s film being bait-and-switch marketed as an upbeat wedding rom-com, being criticized by a school shooting victim, getting scolded for not throwing in a racial component, and generally just getting weddings all wrong, the indie rage-bait still delivered A24’s third-highest opening to date with $28 million globally — leaving zero doubt of Zendaya’s star power.
Then she graced the Euphoria red carpet, looking stunning and successfully maintained a measurable distance from Sydney Sweeney, as if playing a game of My Castmate Is Lava.
Meanwhile, (totally her husband) Tom Holland is starting to promote his two very likely summer blockbusters, The Odyssey and Spider-Man: Brand New Day.
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It’s exceedingly rare that both parties in a Hollywood power couple (who are definitely married, come on) have a wildly successful year at the same time, while also being equally well liked by fans.
Fun fact: Ever the professional, Holland has agreed to keep filming Brand New Day reshoots through the movie’s opening weekend and beyond, allowing Kevin Feige to continue “plus-ing” the film for the rest of the actor’s life.
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But Monday’s stunt releasing Imax tickets for only one screening each night on opening weekend at just 19 theaters across the entire world frustrated the hell out of fans (even Club Chalamet snarked on X: “Why is life so complicated when it comes to Dune? Just give me my ticket without all the stress and bullshit”).
Then WB global distribution chief Jeff Goldstein bragged about the shows selling out: “This incredible result is proof that the fans’ anticipation to experience Dune: Part Three as it was meant to be — on the biggest, boldest screens possible — is at a fever pitch.” What’s actually incredible is taking a victory lap for selling out just 76 screenings worldwide for an insanely anticipated sequel.
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